For Joshua

For Joshua
Saying goodbye is like pushing
	for hysteria’s eternity
	on a cold wall that
won’t ever bother
	budging even a bit
	and taunts you like
the photographs with folded
	corners and faded tops
	that have caught fire
from staring too hard for too long.

And using your legs won’t help—
	they were supposed to
	carry you so far in
your life and support the others,
	too; too heavy to move
	and you'll break before
the wall will tiptoe toward
	maybe a more comfortable
	place just a few inches
away; inches are space to breathe in. 

A wall, like the past, cannot
	ever move; time doesn't
	deign to that, so sad-blue and
powerless it dares
	make us feel with
	a grip that’ll only
scald and not burn because
	the masochism would be
	an out and the past
does not permit us the treat. 

Listen, though, because goodbye is
	a reckoning to about-face
	and notice, then greet,
the rest of the room,
	waiting as it always has
	and true—that it's unchanged
is so full of sorrow for you,
	the fullness
	so hidden to all
those unknowing backs. 

Know that in your greeting
	you can find a way
	to cheat time in
a manner you'll need
	to make into a
	familiar friend who
you've been to hell with
	and back but you
	are here now, ringing,
the bell in conversation. 

You listen politely to
	what time has plattered
	for your counterparts
while you knowingly wait your
	turn to turn ‘round to
	that wall you know stands
behind you with illuminated and
	illuminating photographs
	whose dancing corners
will cheer you all now,

and now you have
	more eyes than just yours
	looking straight-on at the wall
that only you can see—
	and that's okay, because
	we all have walls and one day
we’ll all be walls, stationed forever: ‘o guardian—
	you melt into the frame 
	and you wear his smile
on your own face and ours, 

and you laugh, and so do we.

Fourier Transform of a table

Fourier Transform of a table

1.
They are pint-sized and abounding in spirit,
the girl and the boy, who now 
launch themselves in a leap
across the room of her parent’s home
and into the wooden chairs at the inherited table
they’re just this year tall enough to sit at.
Their parents know it’s normal for 
such young bonds to form and to break,
certainly with expectation of the latter
but they’ll never say that aloud; 
let childhood love run its course,
for run fast and free it does.

2.
“Charlie,” her mother inquires,
“OJ for you?”
He sits a moment and ponders,
everyone wonders at
the inside of a child’s mind, 
longing for it without even
a semblance of surreptitiousness.
“No, not today!” he chirps like a bird,
very much so 
still under wings in the nest. 
“And for you, Annabel, love?”
“I want oranjuse, mommy!”—
Annabel, too, a birdsong.

Back around they come for lunch,
a day of preschool done, the afternoon
open as a sky waiting for clouds to float in.
“Annabel, sweetheart,”
catching her half a bite into a turkey sandwich
with mayonnaise she’ll need a napkin for,
“What should we play this afternoon?”
Charlie answers; Annabel lets him.
“Tag.”
“You’re it!”

Sweat dried then baths taken, 
they’re back now, dinner served,
a pot pie and potatoes, 
glass of milk for the bones 
to stay strong.
“Let’s watch a movie!” they
– somehow – say in unison,
a monovice, they speak as one.
“Upstairs or downstairs?”
“I want to sleep on the couch!”
“But we fell asleep there last time!”
“So what?”
“But you snore!”

3.
Far in years and wisened in spirit as they come,
the old man and the old woman 
slowly walk to the table for a simple breakfast
of coffee and a newspaper. 
They’ve seen many things;
the paper brings back memories,
doesn’t make new ones.
“Should we walk or should we drive?”
Annabel looks down, noting sunshine
that warms the back of her left hand.
“Let’s walk.”
He nods.
“I’ve found over the years that 
sun helps with funerals.”
She nods.

For lunch, still a sandwich.
For all that’s changed, she still needs
a napkin for the mayonnaise.
They’re both reflecting; 
they just watched a friend descend
into the box and ascend the stairs.
Charlie speaks. 
“What will you miss most?”
“We won’t miss anything; that’s almost the worst part.”
“Or the best part.”

Dinner is steak. Red, rare, with rosemary.
Fragrant.
They have memories from that smell.
They’re lost there, and don’t mind it.
“You know what I’ll miss?”
“Hmm?”
“I’ll miss going to bed with you.”
“Well then I guess we’ll just
go to sleep together and then
we’ll never miss a thing.”
A pause, feeling gravity.
“Where do you want to sleep?”
A pause, a quick and light leap.
“Somewhere over there.”
“Where?”
“There—,” a nod,“your arms.”

4.
The little house straddles a line of longitude,
a narrow kitchen the stage for many scenes of
a play that still runs every day
with the same cast and an audience of two.
Generation and generation again
the table sits like a canvas,
each morning the sun paints 
a bright rectangle onto its eastern edge,
yellow fingertips tracing
the wooden swirls they could have 
drawn in sand when they were kids; 
and each afternoon the sun warms 
the slate shingles who don’t like to let it go;
and each evening it sets and onto the west
the sun drizzles its orange and its pink.
The sun comes and it goes,
and so does the cast, on and on, 
weary but in some ways more alive,
until finally they sleep.

And so the sun sets.

Cynic

Cynic
Please gaze out and wear
a light smile for
those of us who’ve misplaced ours—
whisper back to me and 
narrate what comes through
your wrought-iron gates,
those eyelashes,
you’re still young and
no cynics yet roam the castle’s halls—
Your eyes are earnest and interested,
in some ways unquestioning, the
advice against which I question
because truthfully
for bliss you need ignorance—
no awareness, just push your hand
forward with enthused force and
grab onto those dolloped moments,
dripping on by one-by-one, bye,
you shouldn’t think to say,
don’t regret their passage since
passage is sad
if you let the cynics in and 
thankfully you haven’t yet.
Show me, then, please,
with your young eyes,
I want to see that light again—
just that it is, not what.

Birthday wish

Birthday wish
I waltzed in a haze
through a birthday today
more in reflection than
celebration since life’s nearing
inflection, adding 
force in some direction,
not yet clear to see
whereupon the next year
will fall. And fall
is apt in its leaves that melt
colors like exotic orange flavors,
red for passion (oh, I certainly
hope passion) and light pink
for the flickering affection I think
we all generally think of when
a friend or maybe not
pulls out their spell book
and spellbound in expectation 
wishes us a magical year. 

Yet time steamrolls forward

Yet time steamrolls forward
Yet time steamrolls forward and really
doesn’t care in the slightest
how I like that.
It seems futile to 
pass by every “now”
agonizing for a future
in which I could just as well
pass by agonizing for another future
because time steamrolls forward and really
doesn’t care in the slightest
how I like that.
It seems the only point in time
at which I have certain control
and no uncertainty over my emotion is
the present.
Oh, what a gift, ha ha, is that the joke?
Yet though time steamrolls forward and really
doesn’t care in the slightest
how I like that,
I think I’m averse to the present like
the demons from my past.
I think, indeed, that’s the joke.